Omerta.
An Italian word referring to the code of silence that mafiosos abided to when apprehended and interrogated by the cops. A code of honor, but also a law written in the blood of the traitors.
It was...a unique choice, to use that as the title of a film set in 20th century Hong Kong, when the city still had a raw, beating heart, one that bled with rambunctious tenacity the cold blood of gangsters and entrepreneurs. Certainly, there was no silence to be found during that time, especially amongst the disenfranchised youth. Which made it even more curious why Aurora herself had been scouted out by the eccentric Wei Kao-Tuo for a main role. She had some social media presence, of course, with an Instagram that she took moody photos of the urban landscape with, and a Tiktok that she scrolled through on sleepless nights, but otherwise, how on earth did the man come across, and then choose her?
Her boss, of course, had a laugh about it, and Aurora herself, after some consideration, decided that a working holiday may have been in order after all. There was no process being made on the Terrasphere case, and the private investigator was running into a dry season for work as well. So three months it was, three months being fussed over by makeup artists and costume designers, three months waking up at erratic times to film scenes or go over her lines, and three months of interacting with her co-stars, a Korean pop star (understandable) and an American university student (what the fuck), all for the purpose of becoming the role of...
A high-energy Japanese gyaru with a katana. For the chambara flavor, that eccentric claimed.
Perhaps she was cast simply for her hair color?
Despite her grievances though, it was nice to get some monetary benefit out of her training, and her bank account certainly looked a lot more plump than it was a few months back. Her co-stars were friendly enough as well, possessing little of the ego that may have been expected out of a pop star and an American, and though much of it seemed more like a historical relic than anything else, there was something admirable about Wei Kao-Tuo's insistence on using as few special effects as possible. Maybe it was a bit crazy that he also insisted on using as few stunt doubles as possible too; he must've been a Jackie Chan fan.
Still, it was the end of fall, going into winter. The theater was packed with ardent fans and film industry insiders. Kao-Tuo was already launching into one of his vaguely-hipstery speeches at the front, and Aurora was enjoying the feel of the new overcoat she bought. With any luck, there would be no need for the no-name actresses he hired to step up after the screening ended to give a candid interview. So she settled into the plush seats, poured some home-brewed tea out of the thermos she snuck in, and took a sip out of the paper cup.
Ceramic would have been better, but that was being optimistic.
"Ah," she said, turning to the woman sitting to her right. "Would you like some tea as well?"
The lights had yet to dim. There was some time yet to be courteous.
